
«…Art can be a conceptual problem for the creator, but it shouldn’t be for the spectator, as soon as he gives himself up. When Pedro Pablo Alonso asks us for an open and trusting dedication to reach the enjoyment of beauty, it is because he has gone ahead to clear the way for us.» Thought by Melchor Fernández Díaz in his text for the catalog of the first individual exhibition, at the Nicanor Piñole Gallery, in Gijón, in 1983.

Painting is for me an exploration of the capacity of color and the plastic image to evoke, provoke and transmit feelings, and to be memory, a human trace.
I conceive the pictorial language as an abstract way of narrating, radically subjective, intimate, seeking connection with the “art reader” through intuition and empathy.
For decades I have shared two very different languages, plastic and written, to which I link the need to know and understand, to explore to discover, and a will to communicate, to give testimony about the vicissitudes and mysteries of life, of nature, on the facts, also the historical ones, that build what we are.
Two languages as a guide to navigate the labyrinth of existence, to help us live.

Emotion and mystery
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Mountain range
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Waterfall
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Rubén Suárez, a light for art in Asturias
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Bellver, the resistance continues
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